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It’ With $2. 18. M, Scares Away ‘Mother!’ & ‘American Assassin’: Box Office. TH UPDATE, Monday final: Stephen King’s It slashed the competition to bring in another $6. September release in domestic box office history.

The two- week total for the New Line/Warner Bros horror film now stands at $2. M. The three- day gross of Darren Aronofsky’smother! was even scarier, though, and became the the butt of jokes after the Paramount film landed an F Cinema. Score (“mother! F”). The film with at least a $3.

M+ budget before P& A was DOA with a three- day cume of only $7. M. This as several other films are waiting in the wings this week to kick it further down the Top 1. Warner Bros unleashes The Lego Ninjago Movie and Fox churns out another installment of its franchise Kingsman: The Golden Circle, both of which will go into wide release with previews Thursday night.

Others in limited release include the anticipated Battle Of The Sexes from Fox Searchlight and starring Emma Stone and Steve Carell, and Victoria and Abdul starring Ali Fazal and Judi Dench in a story about an unexpected royal friendship. In addition, Roadside Attractions is launching Stronger in moderate release. The film is about true- life hero Jeff Bauman, who helped law enforcement after both of his legs were blown off during the Boston Marathon bombing and then went through a grueling rehabilitation to try to get his life back to some semblance of normalcy. Bauman was one of those survivors who became a nationwide symbol for American resilience. He is portrayed by Jake Gyllenhaal.

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Here’s the Top 2. September 1. 7: 1.) It (NL/WB), 4,1. M (- 5. 1%) / Per screen average: $1. Total cume: $2. 18. M / Wk 2. 2.) American Assassin (CBS/LG), 3,1. M / Per screen: $4,7. Wk 1. 3.) Mother! (PAR), 2,3.

M / Per screen: $3,1. Wk 1. 4.) Home Again (OPRD), 3,0. M (- 4. 0%) / Per screen: $1,7. Total: $1. 6. 9. M / Wk 2. Hitman’s Bodyguard (LG), 3,2. M / Per screen: $1,0.

Total: $7. 0. 3. 9M / Wk 5. Wind River (TWC), 2,6. M / Per screen: $9. Total: $2. 9. 1. M / Wk 7. Annabelle: Creation (NL/WB), 2,1.

M / Per screen: $1,1. Total: $9. 9. 7. M / Wk 6. Leap! (TWC), 2,4. M / Per screen: $8. Total: $1. 8. 7. M / Wk 3. Spider- Man: Homecoming (SONY/MARVEL), 1,4. M / Per screen: $1,2.

Total: $3. 30. 2. M / Wk 1. 01. 0.) Dunkirk (WB), 1,4. M / Per screen: $8. Total: $1. 85. 1. M / Wk 8. 11). The Emoji Movie (SONY), 1,1. M / Per screen: $8.

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Total: $8. 3. 9. M / Wk 8. Logan Lucky (BST), 1,4. K / Per screen: $7. Total: $2. 6. 8. M / Wk 5. Despicable Me 3 (UNI), 9. K / Per screen: $8. Total: $2. 61. M / Wk 1.

The Dark Tower (SONY), 1,2. K / Per screen: $6. Total: $4. 9. 9. M / Wk 7. Watch Zwerbowana Milosc Online IMDB here. Canelo vs. GGG Supremacy (FATHOM), 4.

K / Per screen: $1,5. Wk 1. 16). Wonder Woman (WBros.), 6. K / Per screen: $1,0. Total: $4. 11. 4.

M / Wk 1. 61. 7). Girls Trip (UNI), 7. K / Per screen: $7. Total: 1. 14. 3. M / Wk 9. The Nut Job 2: Nutty By Nature (OPRD), 8. K / Per screen: $5.

Total: $2. 8M / Wk 6. All Saints (SONY), 7. K / Per screen: $4. Total: $5. 2. M / Wk 4. The Glass Castle (LGF), 6. K / Per screen: $5. Total: $1. 6. 7. M / Wk 6.

Anita Busch compiled Monday’s info. TH UPDATE, Sunday AM writethru after Friday/Saturday post: Well, it’s clear: Moviegoers officially hate Darren Aronofsky’s Mother! The film scored a rare F grade from Cinema. Score audiences, and there were many rivals heading into the weekend who were expecting that type of reaction. The bold Jennifer Lawrence pic crashed well below its $1. M projections with an estimated $7. M in third as of Sunday morning.

When compared to her wide releases in their first weekend (1,0. Lawrence, even lower than her 2. Relativity horror movie The House at the End of the Street ($1. M). Paramount has been in this situation before with 2.

The Devil Inside which also earned an F (in fact that year had two more F grade films: the Brad Pitt gangster pic Killing Them Softly and Open Road’s Silent House). But with Devil Inside, Paramount was able to buck the audience reaction on that $1. M budgeted genre pic and make loads of cash with a $3. M opening, final domestic $5. Watch The Demolisher Streaming. M and global of $1. M. Many attribute that win to a massive TV spot spend. Mother! is a different beast at a reported $3.

M before P& A (some believe it’s much higher: Lawrence is known to get $1. M alone with actors like Ed Harris and Michelle Pfeiffer earning $3. M- $5. M each). Oy vey. Paramount. It’s very simple what happened here: Paramount backed an audacious auteur’s twisted genre film and aimed to sell it to a mass audience.

You could say it’s high art and that it’s proper place is in a Specialty house, but then — would sophisticated audiences like it? It’s obvious why Paramount went wide with this movie and didn’t roll it out: They knew it would greatly divide moviegoers. Going wide was the only means to make any amount of money, especially with Lawrence as headliner. There’s no winning in a platform release, because bad word of mouth would have crept up fast. Paramount’s marketing team was passionate about the movie, worked closely with Aronofsky on crafting something cool, and they knew the best place to tee the film off was the fall festival circuits where it was greatly embraced by critics (7. While we’ve dinged Rotten Tomatoes continually for impacting a wide release’s ticket sales, that’s not the case here. What Mother! is an example of is the disconnect between RT and moviegoers’ habits.

RT organically favors auteurs. We saw this with Alien: Covenant this past summer which was 7. M domestic take. I’m informed that there was a lot of last minute TV spot spend by Mother! in an effort to hopefully spur a Devil Inside type of B. O. situation. Last weekend, Paramount had a custom in- theater trailer for Mother! on It telling moviegoers.

In one week, in this theater, one movie will mess you up for life…You will never forget where you were the first time you saw Mother! After the movie, visit the box office to get your tickets.” One rival marketing head told Deadline, “If I was a horror fan and then went to see Mother! I’d be pretty pissed because it’s not your run of the mill Screen Gems film.” What could Paramount do? How else could they sell this movie? Mother! begins as a quiet movie and then gets really gonzo toward the end and goes off the rails. Lawrence and Aronofsky say it’s all allegory. There is a gripping, ‘WTF is going on now?’ sensibility to the film, and in that sense, the quick clip, suspenseful marketing arguably didn’t betray. Some will argue that it was suicidal for Paramount to put Mother! right behind It.

True, horror films are generally spaced out on the calendar by four weekends or more, but it really didn’t matter if you put Mother! in the dregs of August: People were still going to hate it. These edgy auteur films are meant to be made as works of bold cinematic art; any distributor is lucky to make a buck off of them, and they never make much money, i. Nicolas Winding Refn’s Neon Demon ($1. M), David Lynch’s Lost Highway ($3. M) and even earlier Aronofsky works like The Fountain ($1. M global B. O., $3.

M production cost). It’s just about who is brave enough to invest in them. Another problem with Mother! Lawrence is playing against type as a frightened woman versus the heroic kickass we know her for in Hunger Games, Joy and American Hustle. Her fans, who turned out at 3. F’. Forty- three percent came out because they thought Mother! was a horror film, and they gave it an ‘F’.

Females showed up at 5. Both demos gave Mother! an ‘F’. Aronofsky fans provided Mother! C+, and they repped 1. Friday night’s crowd. Saturday with a $2. Oh, Paramount, can’t you catch a break?

Warner Bros. New Line/Warner Bros.’ It is the obvious champ with an estimated $6. That’s the second best weekend September has ever seen for a No. It’s enormous $1. M start. It just goes to show that the industry is still healthy (hear that Wall Street?), and that after the lulls of late July and August, great business boils down to great content. Current B. O. through Sunday is now at $2.

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